After Galway 2020: what European Capitals of Culture still buy an Irish city A European Capital of Culture is not a year of posters. It is a Union action under…
Accessibility on Irish and European VOD: subtitles, sign, description, and the two clocks A European viewer who can turn on subtitles for a language they do not…
Irish podcasts as a European export: audio that travels when the schedule does not A European commuter who has never opened RTÉ Player has often already heard I…
Ireland’s co-production treaties: how a film becomes “national” twice A European producer who says “we’ll just co-pro it” is using a slang word for a treaty act…
Independent Irish television: Sound & Vision, the 7 percent, and the schemes that actually commission A European reader who thinks Irish television is “what…
Irish public-service media versus the Nordic model: the licence that would not die A European reader who still thinks Ireland “has a BBC model” is a decade late…
The business of Irish media: licence fee, Exchequer top-up, and the streamer next door Irish media is a cultural conversation that sits on a cashflow statement.…
Ireland’s games tax credit: when interactive work counts as European culture For most of the last two decades Ireland treated games as an ICT export that happen…
Second-generation Irish audiences in Europe: citizenship, habit, and the missing shelf MSMN’s earlier diaspora-festivals piece asked how Irish film weekends tur…
Finding Irish film in Europe: why production records are not audiences Ireland can point to record production spend, a thicker VFX offer and a strategy document…
Irish music and festivals on the European live circuit A European summer now has an Irish date in it even if you never fly to Stradbally or Sligo. Irish artists…
Women’s football on Irish screens: rights, public service and the European season A European football weekend used to mean a men’s rights map: free-to-air inter…
4 days ago
· 8 min read
· By MSMN Newsroom
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