European hit versus Irish box office: what the till says that the festival does not A European film can be a hit in Locarno and a rumour in Limerick. An Irish f…
Ireland’s co-production treaties: how a film becomes “national” twice A European producer who says “we’ll just co-pro it” is using a slang word for a treaty act…
Finding Irish film in Europe: why production records are not audiences Ireland can point to record production spend, a thicker VFX offer and a strategy document…
Irish live-action drama arrives in European living rooms with faces attached: a Rooney adaptation, a Dublin crime family, an Apple TV+ sisterhood. Irish animati…
They arrive through global streamers, free ad-supported channels on smart TVs, music documentaries that travel as widely as pop itself, and city festivals that…
How Ireland’s screen industry is building for European (and global) audiences For Irish viewers who catch a home-grown drama on RTÉ Player, a festival favourite…
At 66 years old, Gregg Araki continues to revolutionize indie filmmaking with his distinctive voice and rebellious spirit, staying true to his DIY roots while evolving as an artist.
Alan Ritchson's journey from reality television contestant to a leading action star is a remarkable story of talent, determination, and versatility, marked by key roles in popular series and films.
In her debut feature film, Argentine director Lucila Mariani navigates the complexities of lucid dreaming, horror, and female identity, set against the backdrop of a digitally saturated world. 'The Days Off' premieres at the Swiff film festival, promising a poignant exploration of these themes.
1 month ago
· 6 min read
· By MSMN Newsroom
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