After Galway 2020: what European Capitals of Culture still buy an Irish city A European Capital of Culture is not a year of posters. It is a Union action under…
Accessibility on Irish and European VOD: subtitles, sign, description, and the two clocks A European viewer who can turn on subtitles for a language they do not…
Irish podcasts as a European export: audio that travels when the schedule does not A European commuter who has never opened RTÉ Player has often already heard I…
European hit versus Irish box office: what the till says that the festival does not A European film can be a hit in Locarno and a rumour in Limerick. An Irish f…
Ireland’s co-production treaties: how a film becomes “national” twice A European producer who says “we’ll just co-pro it” is using a slang word for a treaty act…
Independent Irish television: Sound & Vision, the 7 percent, and the schemes that actually commission A European reader who thinks Irish television is “what…
Forward look: Ireland’s European screen system after the 2026 policy cluster A European reader who has followed Ireland’s screen and media file through 2025–202…
Cookies, consent and Irish editorial: what the banner is doing to the story A European reader who meets an Irish news or culture site through a cookie wall is a…
Diaspora screens: how Irish film festivals abroad build a European (and transatlantic) audience An Irish film that never plays a Tuesday in suburban Dublin can…
African and Black Irish creators in Ireland: the census, the forms, and the European room MSMN’s earlier African-storytelling piece asked how demand, diaspora a…
Ireland’s games tax credit: when interactive work counts as European culture For most of the last two decades Ireland treated games as an ICT export that happen…
Second-generation Irish audiences in Europe: citizenship, habit, and the missing shelf MSMN’s earlier diaspora-festivals piece asked how Irish film weekends tur…
3 days ago
· 7 min read
· By MSMN Newsroom
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