Irish podcasts as a European export: audio that travels when the schedule does not A European commuter who has never opened RTÉ Player has often already heard I…
Ireland’s co-production treaties: how a film becomes “national” twice A European producer who says “we’ll just co-pro it” is using a slang word for a treaty act…
Independent Irish television: Sound & Vision, the 7 percent, and the schemes that actually commission A European reader who thinks Irish television is “what…
Cookies, consent and Irish editorial: what the banner is doing to the story A European reader who meets an Irish news or culture site through a cookie wall is a…
Diaspora screens: how Irish film festivals abroad build a European (and transatlantic) audience An Irish film that never plays a Tuesday in suburban Dublin can…
Finding Irish film in Europe: why production records are not audiences Ireland can point to record production spend, a thicker VFX offer and a strategy document…
Polish, Brazilian and Ukrainian media demand in Ireland Ireland’s screen and news policy still talks, most days, as if the audience were Irish-English, Irish-la…
Who can buy an Irish newsroom? Media mergers, plurality and the EMFA A European reader who follows Irish news on a phone already lives inside a concentrated mar…
Irish-language cinema has had a decade that policy documents now treat as a turning point: An Cailín Ciúin at the Oscars, Kneecap on the festival and BAFTA circ…
Subtitle culture: how Irish and European viewers actually read the screen A European film in an Irish living room is often a reading event. The image is French,…
Ireland’s documentary boom and the European festival-to-living-room path A European living room now treats non-fiction as a default genre. True-crime series, ce…
Locarno, Berlin and Cannes: the buyer map Irish films actually travel A European viewer meets an Irish film as a title. The industry meets it as a calendar. Feb…
5 days ago
· 7 min read
· By MSMN Newsroom
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