Irish music and festivals on the European live circuit A European summer now has an Irish date in it even if you never fly to Stradbally or Sligo. Irish artists…
Polish, Brazilian and Ukrainian media demand in Ireland Ireland’s screen and news policy still talks, most days, as if the audience were Irish-English, Irish-la…
Who can buy an Irish newsroom? Media mergers, plurality and the EMFA A European reader who follows Irish news on a phone already lives inside a concentrated mar…
Data centres, streaming and the carbon bill behind the Irish catalogue A European evening of Irish or American television looks weightless: a tile, a Player, a…
Irish live-action drama arrives in European living rooms with faces attached: a Rooney adaptation, a Dublin crime family, an Apple TV+ sisterhood. Irish animati…
Ireland’s creator economy under the Digital Services Act A European teenager’s media diet is no longer only a schedule and a catalogue. It is a person: a footba…
Irish-language cinema has had a decade that policy documents now treat as a turning point: An Cailín Ciúin at the Oscars, Kneecap on the festival and BAFTA circ…
Subtitle culture: how Irish and European viewers actually read the screen A European film in an Irish living room is often a reading event. The image is French,…
Ask where Ireland’s screen industry “is” and the postcard answer is the whole island: cliffs, Gaeltacht roads, a Limerick sound stage, a Galway producer’s offic…
A first Irish drama hit on a European streamer can feel like a door kicked open: a Dublin family feud on Netflix, a Sally Rooney adaptation on Hulu and BBC iPla…
Locarno, Berlin and Cannes: the buyer map Irish films actually travel A European viewer meets an Irish film as a title. The industry meets it as a calendar. Feb…
The 2026 AVMSD review: what could change for European (and Irish) viewers The Audiovisual Media Services Directive is the quiet operating system of European tel…
5 days ago
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· By MSMN Newsroom
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