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Irish public-service media versus the Nordic model: the licence that would not die A European reader who still thinks Ireland “has a BBC model” is a decade late…
Diaspora screens: how Irish film festivals abroad build a European (and transatlantic) audience An Irish film that never plays a Tuesday in suburban Dublin can…
Second-generation Irish audiences in Europe: citizenship, habit, and the missing shelf MSMN’s earlier diaspora-festivals piece asked how Irish film weekends tur…
Finding Irish film in Europe: why production records are not audiences Ireland can point to record production spend, a thicker VFX offer and a strategy document…
Film literacy in Irish schools: a European habit, not a cinema trip A European reader who treats film literacy as an optional school outing is looking at the Ir…
Irish music and festivals on the European live circuit A European summer now has an Irish date in it even if you never fly to Stradbally or Sligo. Irish artists…
Women’s football on Irish screens: rights, public service and the European season A European football weekend used to mean a men’s rights map: free-to-air inter…
Polish, Brazilian and Ukrainian media demand in Ireland Ireland’s screen and news policy still talks, most days, as if the audience were Irish-English, Irish-la…
Data centres, streaming and the carbon bill behind the Irish catalogue A European evening of Irish or American television looks weightless: a tile, a Player, a…
Irish-language cinema has had a decade that policy documents now treat as a turning point: An Cailín Ciúin at the Oscars, Kneecap on the festival and BAFTA circ…
Ireland’s documentary boom and the European festival-to-living-room path A European living room now treats non-fiction as a default genre. True-crime series, ce…
5 days ago
· 7 min read
· By MSMN Newsroom
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