Irish-language cinema has had a decade that policy documents now treat as a turning point: An Cailín Ciúin at the Oscars, Kneecap on the festival and BAFTA circ…
Subtitle culture: how Irish and European viewers actually read the screen A European film in an Irish living room is often a reading event. The image is French,…
Ask where Ireland’s screen industry “is” and the postcard answer is the whole island: cliffs, Gaeltacht roads, a Limerick sound stage, a Galway producer’s offic…
Ireland’s documentary boom and the European festival-to-living-room path A European living room now treats non-fiction as a default genre. True-crime series, ce…
A first Irish drama hit on a European streamer can feel like a door kicked open: a Dublin family feud on Netflix, a Sally Rooney adaptation on Hulu and BBC iPla…
Locarno, Berlin and Cannes: the buyer map Irish films actually travel A European viewer meets an Irish film as a title. The industry meets it as a calendar. Feb…
The 2026 AVMSD review: what could change for European (and Irish) viewers The Audiovisual Media Services Directive is the quiet operating system of European tel…
Arthouse versus the algorithm: how Irish and European films still get chosen MSMN’s discovery piece asked why Irish production records are not the same as audie…
Section 481 explained: Ireland’s 32% screen credit — and the 40% VFX uplift European viewers who finish an Irish-backed drama, a Cartoon Saloon feature or a ser…
Irish live venues, collecting societies, and the Brexit touring bill MSMN has already filed the festival half of Irish live music: IMRO’s billion-euro habit, fi…
Ireland’s European Works levy: the optional ‘Netflix tax’ that is still not live If you pay for a streamer in Cork or catch-up in Galway, you already live insid…
Open a catch-up app after the news, or scroll a subscription catalogue in Cork or Drogheda, and the interface still feels like a private living-room choice. In…
5 days ago
· 7 min read
· By MSMN Newsroom
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